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DEAR MUSLIM CHILD

Nurturing, encouraging, and necessary.

A heartfelt love letter urging Muslim children everywhere to courageously embrace the tenets of their faith.

The author of Dear Black Child (2022), illustrated by Lydia Mba, unapologetically puts Muslim children at the center of this picture book. The story begins with the narrator telling little ones about the divine plan for their birth: “Did you know that your birth was meant to be?” An explanation about some of Islam’s foundational principles follows: “Dear Muslim Child, / Can I tell you about Islam? // Islam is rooted in peace. / So live in peace. / Inspire peace. / And invite peace into your life.” Next, Rodaah poses questions: “Do you know the meaning of Nur?” “Do you know how special your name is?” “Do you know the power of words?” These queries lead to reminders to remain rooted in Islamic practices and to live proudly and publicly: “Pray in public as you would at home. / Perform your salat without feeling shy. / Be graceful and let each movement bring you comfort.” Poetic language and a palette of cool colors that complements the comforting words together evoke warmth, safety, and pride. Illustrations featuring children and adults who have a variety of skin tones, body shapes, and clothing styles reflect the rich diversity of the global Muslim community.

Nurturing, encouraging, and necessary. (Picture book. 5-8)

Pub Date: Feb. 6, 2024

ISBN: 9780063091993

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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HUMMINGBIRD

A sweet and endearing feathered migration.

A relationship between a Latina grandmother and her mixed-race granddaughter serves as the frame to depict the ruby-throated hummingbird migration pattern.

In Granny’s lap, a girl is encouraged to “keep still” as the intergenerational pair awaits the ruby-throated hummingbirds with bowls of water in their hands. But like the granddaughter, the tz’unun—“the word for hummingbird in several [Latin American] languages”—must soon fly north. Over the next several double-page spreads, readers follow the ruby-throated hummingbird’s migration pattern from Central America and Mexico through the United States all the way to Canada. Davies metaphorically reunites the granddaughter and grandmother when “a visitor from Granny’s garden” crosses paths with the girl in New York City. Ray provides delicately hashed lines in the illustrations that bring the hummingbirds’ erratic flight pattern to life as they travel north. The watercolor palette is injected with vibrancy by the addition of gold ink, mirroring the hummingbirds’ flashing feathers in the slants of light. The story is supplemented by notes on different pages with facts about the birds such as their nest size, diet, and flight schedule. In addition, a note about ruby-throated hummingbirds supplies readers with detailed information on how ornithologists study and keep track of these birds.

A sweet and endearing feathered migration. (bibliography, index) (Picture book. 5-8)

Pub Date: May 7, 2019

ISBN: 978-1-5362-0538-1

Page Count: 32

Publisher: Candlewick

Review Posted Online: March 26, 2019

Kirkus Reviews Issue: April 15, 2019

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I AM RUBY BRIDGES

A unique angle on a watershed moment in the civil rights era.

The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.

Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)

A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-75388-2

Page Count: 48

Publisher: Orchard/Scholastic

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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