The novel playfully twists genre conventions—there are plenty of wink-wink, nudge-nudge moments to satisfy faithful fantasy...
Meta-slash fiction for jaded optimists.
Rowell pulls on a central thread of Fangirl (2013)—Cath’s fanfic epic of Simon Snow, the Chosen One and Mage's heir—and uses it to weave a tapestry of realigned affections and alliances. Deftly self-contained so that readers need not have read Fangirl to enjoy this tale, it will nonetheless appeal to Harry Potter fans sophisticated enough to recognize the fundamental tropes at work. Simon, an orphaned magician whose power is so immense that he is mostly inept at wielding it, returns to Watford School of Magicks for his final year of education in the magical arts. He has a talented, stalwart friend, a fascinatingly ambiguous foe, and a complicated, emotionally unavailable mentor. There is a great battle between good and evil. But there are also mobile phones, contemporary slang and pop-culture references, and gay romance. Rowell’s creation is less preoccupied with the trappings of wizard life than it is focused on the relationships of the characters. The narrative perspective, shifting among Simon and his supporters and opponents, gives voice to their deeper motivations and angst; the dialogue, both internal and external, is contemporary and occasionally profane, with an authentic level of teenage snark.
The novel playfully twists genre conventions—there are plenty of wink-wink, nudge-nudge moments to satisfy faithful fantasy readers—but it also stands alone as a modern bildungsroman. Carry on, Simon Snow. (author's note) (Fantasy. 14 & up)Pub Date: Oct. 6, 2015
ISBN: 978-1-250-04955-1
Page Count: 528
Publisher: St. Martin's Griffin
Review Posted Online: Oct. 31, 2015
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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