by Raj Kamal Jha ‧ RELEASE DATE: March 3, 2015
This novel is populated by storytellers. One by one, they tell us that nothing, even magic (a 12-foot woman who mothers...
A study in contrasts, this novel uses magic to illuminate poverty, violence and loss.
New City, India, contains multitudes. Journalist and novelist Jha (Fireproof, 2007, etc.) introduces the city through three main characters, Woman, Man and Child, whose disparate stories anchor the narrative as the tension between rich and poor plays out again and again. Man and his driver are stuck on the freeway as police use water cannons to disperse Old City protestors who haven’t had water or electricity for days. A “quota” medical school student sees his beloved girlfriend protesting the presence of lower castes on campus. Readers first meet Woman as she recalls the past to her grown daughter, home after a long time away. Woman draws readers in with gorgeous language: "And, thus assured, you run away, leaving a hole in the air, shimmering, through which the afternoon leaks away and evening drips in, mixes, dissolves the scents you leave behind." On the next page, the tone turns to menace as we meet Man, a wealthy loner: "He is going to kill and he is going to die. That's all we know for now, let's see what happens in between." The third character, Child, is abandoned and officially named “Orphan” by a media-savvy orphanage administrator. Each character’s story is driven forward by fear and mystery—the greatest mystery of all being how these stories and characters are connected. Ultimately, the character who links the three is named but never given much of a voice.
This novel is populated by storytellers. One by one, they tell us that nothing, even magic (a 12-foot woman who mothers mothers or a dog who transports an orphan to safety), can erase the ugly highs and lows of life in modern India.Pub Date: March 3, 2015
ISBN: 978-1-62040-904-6
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
by Donna Tartt
BOOK REVIEW
by Donna Tartt
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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