by Ralph Emery with Patsi Bale Cox ‧ RELEASE DATE: Nov. 4, 1998
This collection of memoirs from the veteran Nashville musician, disc jockey, and broadcast personality is full of good-natured humor and thoughtful insights. Emery begins on a somber note, with a recap of Conway Twitty’s untimely death and the ensuing battle of his estate with his third wife, Dee, and his children, who viewed Dee as opportunistic and flighty—particularly when she moved to have his body exhumed and cremated, only to withdraw the request a few days later. While many of his subjects (Patsy Cline, Tex Ritter, Carl Perkins) are likewise dead, Emery’s tone seldom sounds morose after the Twitty section. Instead, he’s apt to recall humorous instances, such as Maverick Records founder Fred Foster’s run-in with old-time Nashville bigshot Wesley Rose, who objected to Foster’s making “race records,” and how Foster was reassured by legend-in-the-making Owen Bradley, who told him, “You keep doing what you’re doing—making great records.” Some of Emery’s best stories concern unlikely country music figures, such as Ray Charles, who recorded a crossover hit with “I Can’t Stop Loving You,” and George Bush, who defends his taste for country music despite his patrician background. Emery’s perspective is refreshing: though no longer young, and obviously a conservative politically, he keeps alive a positive attitude toward change. He can condemn the “reverse discrimination” of a word like “hillbilly” and at the same time express indignation over some Nashville establishment icon’s treatment of black country musician Charley Pride . . . and never lose his credibility. His telling of white country singer Faron Young’s support of Pride is among the most poignant vignettes in the collection. (Co-author Cox also co-authored Tanya Tucker’s autobiography.) Fans of any kind of music can open this at any page—and enjoy it. (16 pages b&w photos, not seen) (Author tour)
Pub Date: Nov. 4, 1998
ISBN: 0-688-15150-7
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
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by Ralph Emery with Tom Carter
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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