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COLLISION COURSE

Name: COLLISION COURSE
Author: Ralph Nader
ISBN: 0-8306-4271-4

THE TRUTH ABOUT AIRLINE SAFETY

by Ralph Nader & Wesley J. Smith ‧ RELEASE DATE: Sept. 10, 1993

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Or, Unsafe at Any Altitude: a measured, albeit merciless, critique of commercial aviation's safety policies and practices. Drawing on publicly available data, Nader (coauthor, The Big Boys, 1986, etc.) and Smith (Witness to Murder, 1991) make a persuasively documented, often chilling case for the proposition that in many respects flying is not safe enough. More disturbingly, they argue that the level of risk appears to be growing. Going well beyond accident and fatality statistics, the veteran consumer advocates cast a cold eye on the institutional factors that can make life-or-death differences for air travelers. Shortly after takeoff, for instance, they strafe the FAA (a slow-moving bureaucracy charged with promoting commercial aviation as well as air safety) and deregulation (in their view, an ill-advised experiment that has strained the airline industry's finances, tempting it to cut corners). Targeted as well are the deteriorating condition of the US air-traffic-control (ATC) network; the aging of America's jet fleet (now among the world's oldest); airport security; the ongoing use of dangerous (i.e., flammable and/or toxic) materials in passenger cabins; and the failure of federal officials to insist that carriers equip their planes with state-of- the-art systems. The authors' reform agenda calls for at least modified re-regulation that would subject commuter lines to the same safety standards as trunk carriers; eliminate the FAA's dual mandate and make it a genuinely independent agency with a tenured administrator; establish a separation ATC service; and scrap cost/benefit analyses of issues in which lives might be at stake. Mindful that their recommendations are unlikely to be embraced or adopted soon, the authors close with a catalogue of tips on surviving crashes or allied emergencies—and becoming an activist in the cause of air safety. An impressive marshalling of grim fact and outraged opinion.

Pub Date: Sept. 10, 1993

ISBN: 0-8306-4271-4

Page Count: 352

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1993

Categories:

GENERAL NONFICTION

- BOOK REVIEW
TO THE RAMPARTS
by Ralph Nader ; edited by Jim Feast

- BOOK REVIEW
BREAKING THROUGH POWER
by Ralph Nader

- BOOK REVIEW
UNSTOPPABLE
by Ralph Nader

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.