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CORPORATE POWER IN AMERICA

Many years ago H. G. Wells wrote "It is not creative minds that produce revolutions, but the obstinate conservation of established authority," a sentiment that can serve as the text for this proficient if rather stereotyped critique of contemporary American corporate power. The contributors — all participants in a Nader-sponsored colloquium on big business accountability held late last year — want the corporation to become more socially responsible, not out of starry-eyed rapture with the boardroom and the fatcats who run it but because they are pragmatic welfare capitalists who seek to reform rather than revolutionize our economic subsystems. Robert Dahl leads off the proceedings with a call for more competition, more public control, less bigness; John Kenneth Galbraith plumps (once again) for transforming large private corporations into public enterprises; Senator Fred Harris proposes breaking up the monopolies; Mark Green issues a plea for a new corporate moral standard in which the companies "realize their special obligations as dominant citizens"; John J. Flynn looks toward a "corporate democracy"; Willard Mueller discusses the need for public disclosure; Andrew Hacker believes that it will take another serious depression before corporate accountability can be implemented. Not at all a muckraking collection (cf. Nader above), this lacks the intensity of recent similar works like Heilbroner's In the Name of Corporate Profit (p. 235) and the proposed remedies are either stale or too soulful for the soulless.

Pub Date: Jan. 1, 1972

ISBN: 014004566X

Page Count: 309

Publisher: Grossman

Review Posted Online: May 22, 2012

Kirkus Reviews Issue: Jan. 1, 1972

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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