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BEING RAM DASS

Ram Dass lived a full life and then some. His final statement is thorough and, yes, enlightening.

A comprehensive memoir from a famous but humble spiritual seeker.

Mention the name Ram Dass (1931-2019), and you’re likely to hear three words: Be Here Now. However, there’s much more to the man born Richard Alpert than his best-known book, as this posthumous memoir, co-written with Das, makes amply clear. Born just outside of Boston to an ambitious Jewish family, he quickly became a hungry spiritual seeker. He ran with fellow Harvard psychology professor Timothy Leary, and together they became pioneers in hallucinogenic research. As he explains, psilocybin and LSD, which were legal when he began his studies, were a means of exploring other planes of consciousness, a rationale that didn’t keep him from getting fired for turning on an undergraduate student. One can imagine such a book by another author—say, Leary—as full of chest-puffing and war stories. Thankfully, on his road to enlightenment, Ram Dass also accumulated a good deal of humility. This comes across clearest in the sections that find him in India, where he became a disciple of the Hindu guru Maharaj-ji, who taught the young American pilgrim how to love and worship without using drugs—and gave him his new name, which means “servant of God.” “Turning toward Eastern spirituality was not just my inner evolution but part of a major cultural shift,” writes the author, who proves to be a steady guide to some heady events and trends, including the Harvard psychedelic tests, the communal living experiment in Millbrook, New York, the Human Be-In in Golden Gate Park, and the influx of Westerners flooding India in search of a higher state of being. Familiar names walk in, walk out, and often return: Allen Ginsberg, Aldous Huxley, Ken Kesey, and the members of the Grateful Dead.

Ram Dass lived a full life and then some. His final statement is thorough and, yes, enlightening.

Pub Date: Jan. 12, 2021

ISBN: 978-1-68364-628-0

Page Count: 488

Publisher: Sounds True

Review Posted Online: Nov. 9, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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