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SHAKESPEARE'S SISTERS

HOW WOMEN WROTE THE RENAISSANCE

Featuring crisp, engaging prose, Targoff’s eye-opening book welcomes general readers.

A study of four women pioneers in the age of Spenser, Marlowe, and Shakespeare.

Humanities scholar Targoff, author of Renaissance Woman: The Life of Vittoria Colonna, focuses on a “small but not insignificant group of Shakespeare’s contemporaries who did what [Virginia] Woolf deemed impossible: they wrote works of poetry, history, religion and drama.” These four overlooked women “against all odds…found rooms of their own, if only to be buried inside them.” They followed the example of Queen Elizabeth, who loved to write. Jumping back and forth somewhat awkwardly from one woman to another, Targoff provides extensive, insightful historical material along with in-depth biographies, including information about families, money, education, and marriages. Mary Sidney’s brother Philip, the acclaimed poet, went to school, while she was homeschooled. After his early death, Mary “paved her own way,” editing and publishing all of his major works before turning to translations published with her name on the title page—including her “dazzling poetic translation” of the Book of Psalms as well as her own poetry. Aemilia Lanyer’s musician father came to England and became middling gentry thanks to a wealthy countess dowager. Lanyer is famous for writing the first “country house” poem in English. In 1610, she made history as the first woman in the 17th century “to publish a book of original poetry.” Elizabeth Cary, part of the wealthy class, read and knew five languages, and she began her career with translations, later writing the first play by a woman in English, The Tragedy of Mariam, about King Herod’s marriage, and a biography of Edward II. The well-educated Anne Clifford wrote annual chronicles and revealing day diaries, rare for a woman, as well as a memoir titled The Life of Me, in the early 1650s.

Featuring crisp, engaging prose, Targoff’s eye-opening book welcomes general readers.

Pub Date: March 12, 2024

ISBN: 9780525658030

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 28, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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