Dr. Seuss has already explored most of the places he’ll go, but there’s always room for another heads-up that adulthood’s...
A tiny pink “garden elephant” has a mighty epiphany in this buoyant, if sometimes oblique, French import.
Suddenly realizing that he’s taller than an ant, Pomelo “feels the super-hyper-extra force of the cosmos spreading through him. And maybe something even stronger that that!” Whatever it is, it touches off a series of Big Questions, from wondering “what has to happen on the inside for him to grow on the outside” and “does growing up mean one has to stop clowning around?” to whether he’s already “forgotten something along the way.” Now he looks forward to new experiences, and “want’s [sic] to know more” about everything. Endowed with googly eyes and a really long trunk that looks like (and seems about the size of) a wriggly earthworm, Pomelo broadcasts his excitement as he bounces through Chaud’s big, very simply drawn cartoon garden scenes. He paints strawberries to look like Easter eggs, takes a mud bath with a corps of smiling bright red-and-yellow potatoes, tries new foods like hot peppers (and, on another page, even sushi) and at last marches off in search of a big adventure after “learning to say ‘goodbye’ and being able to hear others say it too.”
Dr. Seuss has already explored most of the places he’ll go, but there’s always room for another heads-up that adulthood’s coming—particularly one that doesn’t take itself too seriously. (Picture book. 6-9, graduates, adults)Pub Date: Sept. 1, 2011
ISBN: 978-1-59270-111-7
Page Count: 48
Publisher: Enchanted Lion Books
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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