What happens when you go into the woods, children.
Campbell’s masterpiece.
As ever, Campbell places believable characters into fabulously dark situations and lets the situation become more memorable than the characters (Midnight Sun, 1990, etc.). Although this time they’re an agreeable group of interesting folks, they too fade once the fun-ride is over. The strongest invention here remains the horror out of space and time that’s centered in Goodmanswood, outside Brichester. When the American professor of popular delusions hears of the madness of crowds in Brichester, he goes there and hasn’t left since—indeed, he winds up as an inmate of the Arbours, a home for the mentally bombed. Lennox is married to Margo, a painter/sculptor, and they have two daughters: Sylvia, a pregnant vegan who writes books about the weird stuff her father wrote about; and older daughter Heather, who works in a bookstore and is divorced mother to Sam, Lennox’s grandson, who hopes to go into publishing (to us Sam would be better off saving trees from publishers). In fact, Sam limps from an ankle he broke while living in a tree and trying to save it from being cut down for a bypass. But—the horror. Some time ago it was noted that a mound existed in Goodmanswood with strange lighted insects flying around it, while several trees around the mound held a lichen that, if touched, gave a person lasting hallucinations—the madness Lennox came to write about. Every now and then, Lennox and a group of fellow hallucinators escape from the Arbours and go off to the mound, along “the path that led to itself.” What is the secret of the mound? Far better than the secret, when it’s at last revealed in eye-scraping gothic type, is the buildup of a living darkness within the woods, a darkness blacker than night itself, with falling leaves that circle about and return as bits of blackness to their trees. And this is magically fresh and memorable.
What happens when you go into the woods, children.Pub Date: Oct. 1, 2003
ISBN: 0-765-30766-9
Page Count: 400
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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