An appealing little fancy. Display this upfront.
Amusingly damp horror in a fog-bound British bookstore. Don’t touch that shelf!
Despite his many titles and high standing among lovers of babbling madness, Campbell (The Darkest Part of the Woods, 2003, etc.) reveals in his acknowledgments that he found himself short-funded in March 2001 and went to work at a British branch of Borders. He avers that none of the folks in his novel resemble fellow book-shelvers met during those days in the darkest part of the royalty woods. Woody Blake, an American manager for Texts bookstores who has put shops shipshape in New Orleans and Minneapolis, has now been sent to Fenny Meadows Retail Park in northern England to open a giant new Texts store. In the States, such haunts are usually built on an Indian burial ground, but this one is on a fenny meadow—which means things get very misty. And that’s not all. Overnight, books leap from their rightful shelf to that opposite. They resist nightly tidying up after closing hour and lie splayed about come morning. People order books, but orders vanish from computer screens or the book lands among the discards, its inner pages lost and print blurry. Blurry print spreads like a virus. Books get grubby, damp, slimed. Weird damp fog-things (well, squat gray jellies) slurp about the aisles at night. A hit-and-run kills store worker Lorraine in the car park. Another worker, mind-wiped, can no longer make sense of words. And now the bosses are coming for a Christmas-rush inspection of Woody’s work. Horrors: this calls for an overnight with the whole staff pitching in to put the store in order. Power fizzles, something invades and blurs the grey computer screens. And can the inspectors even find the shop in the sodden fog on this sinking soggy tarmac? The mud, the mud! Whole villages long ago sank from sight right here.
An appealing little fancy. Display this upfront.Pub Date: April 1, 2005
ISBN: 0-765-31299-9
Page Count: 400
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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