Pleasantly weird, but not electrifying.
Thirteen travelers stranded in an Asian airport spin 13 fantastical tales to while away the long night.
In what is billed as a first novel but which readers are more likely to see as so many loosely knit stories, a snowstorm in Tokyo forces an international flight to put down at an airport somewhere in Asian flyover country. All but 13 of the passengers find lodging in a nearby city where a summit meeting has attracted armies of reporters and protesters, leaving bookings unusually tight. When the airport employees abandon the unbooked to spend a sleepless night in waiting-room chairs, the travelers huddle together and agree to the proposal of a Japanese salaryman to amuse each other with stories. By stupendous coincidence, everyone in the group has at the ready a slightly fabulous yarn for the telling. Such unity as there is to these tales comes from the multinational Dasgupta’s ability to insert in most of the fables some form of magic suitable for a 21st century already full of wireless conveniences and stupendous TV screens. In the first, a provincial tailor is unlucky enough to be landed with a visit from a carload of dissolute Saudi-ish aristocrats, whose princely leader admires the tailor’s work enough to order up an outfit so luxurious that it bankrupts its maker and turns out to be undeliverable. In one of the longer tales, an Indian techno-zillionaire with the rupees to buy fertility for his sterile Bollywood-star wife becomes the father of twins whom he separates at birth when he finds the male twin too physically grotesque to keep. The beautiful female twin, fecund in the extreme, unites under profoundly weird circumstances with her brother after he has become a bizarre TV star. In another story of child abandonment, an unwanted baby becomes a seamstress whose beautifully stitched bedcovers have miraculous powers, goes to work and falls disastrously in love in an S&M bordello in Warsaw. And, finally, a Bangladeshi seaman coughs up a bird that walks across Europe to find the seaman’s ladylove.
Pleasantly weird, but not electrifying.Pub Date: May 1, 2005
ISBN: 0-8021-7009-9
Page Count: 400
Publisher: Black Cat/Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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