A heart-rending and memorable picture of 19th-century challenges for girls with unusual bodies—and for captive...
A 19th-century girl with an unusual physique makes herself a life.
Babe was born “right as rain” in 1882 in a tiny Idaho town, but she grew atypically. Now 14, she’s 6 feet, 9 inches and 342 pounds. Pa, greedy and cold, sells her to a carnival, where the carnival master promises she’ll be a “uh, strongwoman act.” She is, in fact, extremely strong, but he forces her into fakery (like all his acts) and harsh, brash showmanship. Babe’s time in the cruel titular carnival—and after leaving it—show her as dogged, thoughtful, and loyal, with a tenacious sense of justice and a fierce protectiveness toward “critters.” (Readers sensitive to animal pain should gird their loins.) The text humanely characterizes people perceived as freaks but undermines this with frequent objectification, spotlighting Babe’s gigantism and her enemy-turned-friend Lotty’s dwarfism: “the dwarf and the giant stared each other down”; “Nothing was more clumsy than a dancing giant with an awkward dwarf ducking in and out of her legs”; “the odd sight of a dwarf, a giant, and an elephant.” The m-word, identified as a slur for dwarfs, is nevertheless frequently used. Babe’s self-proclaimed “hick-like” speech is part lower-class stereotype (“libarry”), part creative (“ookus” for money). Everyone appears to be white.
A heart-rending and memorable picture of 19th-century challenges for girls with unusual bodies—and for captive animals—though the narration sometimes uses carnival lenses itself. (author’s note) (Historical fiction. 10-13)Pub Date: July 23, 2019
ISBN: 978-0-06-264334-6
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: April 9, 2019
Kirkus Reviews Issue: May 1, 2019
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK TO SCREEN
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story.
Leaving Brooklyn behind, Black math-whiz and puzzle lover Bree starts a new life in Florida, where she’ll be tossed into the deep end in more ways than one. Keeping her head above water may be the trickiest puzzle yet.
While her dad is busy working and training in IT, Bree struggles at first to settle into Enith Brigitha Middle School, largely due to the school’s preoccupation with swimming—from the accomplishments of its namesake, a Black Olympian from Curaçao, to its near victory at the state swimming championships. But Bree can’t swim. To illustrate her anxiety around this fact, the graphic novel’s bright colors give way to gray thought bubbles with thick, darkened outlines expressing Bree’s deepest fears and doubts. This poignant visual crowds some panels just as anxious feelings can crowd the thoughts of otherwise star students like Bree. Ultimately, learning to swim turns out to be easy enough with the help of a kind older neighbor—a Black woman with a competitive swimming past of her own as well as a rich and bittersweet understanding of Black Americans’ relationship with swimming—who explains to Bree how racist obstacles of the past can become collective anxiety in the present. To her surprise, Bree, with her newfound water skills, eventually finds herself on the school’s swim team, navigating competition, her anxiety, and new, meaningful relationships.
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story. (Graphic fiction. 10-13)Pub Date: May 17, 2022
ISBN: 978-0-06-305677-0
Page Count: 256
Publisher: HarperAlley
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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