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PRESIDIO

Kennedy has a fertile imagination he lets drift into many beguiling detours, and the writing sparkles throughout.

Two estranged brothers and an unexpected passenger embark on a road trip through Texas to recover stolen money in this strong debut.

Troy Falconer first appears in notes he's writing to explain how and why he frequents motels to steal cars, clothes, and another man’s identity. Two pages later an omniscient narrator describes Troy returning in November 1972 to his hometown in the Texas Panhandle for the first time in over six years. He and his brother, Harlan, have agreed to set aside grudges while trying to track down Harlan’s wife, who ran off with most of the money left him by the brothers’ father. Toggling between this narrative and the notes, Kennedy reveals one rootless man charting a larcenous course through America and one tied to a dot on the map: "I’ve spent my whole life here, Troy. Inside of a ten-mile radius," Harlan says. When Troy steals a car at a grocery store, the brothers are unaware that an 11-year-old named Martha is sleeping in the back seat. She adds a third narrative, of a father and daughter separated when he is jailed, wrongly, for kidnapping her, while she is placed with an aunt, whose Ford Country Squire station wagon catches Troy’s eye. The feisty girl wants the brothers to take her to El Paso and her father, but they have another target because Harlan says his wife “said something about Presidio once." Kennedy’s humor can be broad or sly. He reveals early on, for instance, the quest’s overarching absurdity when Troy says he connived with the woman who married Harlan to steal the inheritance. But she lit out on Troy as well.

Kennedy has a fertile imagination he lets drift into many beguiling detours, and the writing sparkles throughout.

Pub Date: Aug. 21, 2018

ISBN: 978-1-5011-5386-0

Page Count: 320

Publisher: N/A

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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