A lesson to be sure, but delivered in a lighthearted blend of equally lively art, sound and animation.
In an episode both funny and pointed, a family of slobs receives an ultimatum from their filthy house and its disgusted appliances.
Decrepit outside and dirty inside (“I was ashamed and depressed: was this all a cruel jest? / While my people relaxed, I was totally stressed”), House recruits a squad of equally neglected appliances to eject the oblivious residents until they show more respect. Though wordy enough to require manual scrolling on some screens, the rhymed narrative trots along briskly—particularly in the zesty reading provided by former U.S. presidential candidate Pat Schroeder—to a final proper show of remorse and a vigorous “Clean Revolution.” Easy-to-spot interactive elements jiggle occasionally and are colored more brightly than the angled, informally drawn cartoon backgrounds. They include a plate-spitting dishwasher with a ferocious snarl, a plaintive (and thoroughly grease-encrusted) oven and other touch-activated figures, a roving X-ray spotlight for seeing through House’s walls, ancient food items that can be flicked out of the fridge into a garbage can and miscellaneous general litter to sweep away with a fingertip.
A lesson to be sure, but delivered in a lighthearted blend of equally lively art, sound and animation. (iPad storybook app. 4-8)Pub Date: July 24, 2012
ISBN: N/A
Page Count: -
Publisher: Jumping Pages
Review Posted Online: Aug. 19, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
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