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HAMARTIA

A favorable introduction to a sci-fi series that sets the stage for more action-packed adventures.

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Debut author Rich’s sci-fi novel sends its characters on a roller-coaster journey through time.

It’s the end of the 21st century, and the human race is facing its greatest threat yet. Although incredible advances in technology and society have solved many problems, thousands are dying of Metagenesis, a condition in which a person’s soul separates from their body after too many reincarnation cycles. After Grace Dartmouth learns that her son, Jordan, has contracted the terrible disease, she’s determined to do anything to save him. Her chance comes when the world’s leading Metagenesis specialist approaches her and her soon-to-be-ex-husband, Marc Dartmouth, about an unapproved clinical trial. Dr. Messie describes how Jordan’s soul could be repaired by cloning a compatible soul from a past life—in this case, one of Marc’s. Grace is the only person who could possibly recognize Marc’s soul, so she’s chosen to travel back to the year 2000 and find it. She and her companion, Kay, arrive in the Las Vegas of that era, where they must navigate confusing customs as they race to accomplish their mission. After Grace discovers some sinister omissions in Messie’s story, she’s forced to make a painful decision—with her son’s life hanging in the balance. Rich spins an ambitious and imaginative concept into a plot that’s full of fantastically complicated twists. Throughout, readers receive myriad details about the mechanics of the fictional world and the motivations of its characters. Throughout, the narrative raises and resolves questions at a brisk pace, making for a compelling page-turner. The author occasionally oversaturates the narrative with excessive description or heavy-handed explanation, but the engaging plot and likable characters make up for these flaws. Grace and Marc’s dynamic as they navigate their broken relationship and their son’s illness is especially well-rendered. Rich wraps things up with a cohesive, satisfying ending, leaving plenty of intrigue for a promised sequel.

A favorable introduction to a sci-fi series that sets the stage for more action-packed adventures.

Pub Date: Aug. 15, 2018

ISBN: 978-1-947072-92-3

Page Count: 344

Publisher: Words Matter Publishing

Review Posted Online: Nov. 20, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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