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MAMA IN CONGRESS

RASHIDA TLAIB'S JOURNEY TO WASHINGTON

Light on specific detail but a welcome notice that our government is increasingly diversifying.

A boy of Palestinian descent explains how (and why) his mom, Rashida Tlaib, went into politics.

Using a deep-seated desire to help others as both theme and motivation, Adam describes how his mother, growing up in a polluted neighborhood of Detroit as the eldest of 14 siblings and experiencing both prejudice and poverty, went on to earn a law degree, to work for and then (after prayer and reflection) succeed a state representative, and, in time, to win election to the national House of Representatives—where, she explains, if the president should misbehave, she can vote to “give him a time out!” Other than that, she has little to say about her policies or projects. “Mama, why are you one of the first Muslim women in Congress?” asks Adam’s younger brother, Yousif. Standing before an unlabeled but recognizable portrait of Shirley Chisholm in Aserr’s bright, chipper rendition of the Capitol’s foyer, Mama answers, “Sometimes it takes many to run for there to be a first”—a pointed, if potentially misleading (given that Chisholm wasn’t Muslim), moment. There and in other settings ranging from smoky cityscapes to retro suburban scenes, the small figures of hurrying passersby or celebratory election workers that join the representative and her two children (dad, divorced, escapes mention) feature several people of color, including some wearing hijabs. (This book was reviewed digitally.)

Light on specific detail but a welcome notice that our government is increasingly diversifying. (glossary) (Picture-book biography. 6-8)

Pub Date: Sept. 20, 2022

ISBN: 978-0-358-68343-8

Page Count: 40

Publisher: Clarion/HarperCollins

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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I AM RUBY BRIDGES

A unique angle on a watershed moment in the civil rights era.

The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.

Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)

A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-75388-2

Page Count: 48

Publisher: Orchard/Scholastic

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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