Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

SHIMMER

SONGS OF NIGHT

This verbal and visual treat portrays the evening as a lively and thought-provoking place of wonder.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A prolific children’s poet offers an eclectic collection of nighttime pieces.

Opossums, space creatures, the Sandman, dream catchers, and Halloween trick-or-treaters—this inviting book of poems for ages 6 to 12 celebrates dusk to dawn as a world of possibility where nature and flights of fancy coexist. Using different forms (haiku, free verse, couplets, quatrains, and more), Howell (Gibber, 2016, etc.) shapes her rhythms and rhymes with a keen appreciation for the subjects and wordplay most likely to engage her target audience. They are matched on every page by debut illustrator Povarchik’s fluid watercolor-and-ink images (of wildlife, imaginary beasts, and white siblings), employing a bright, varied palette. The poet’s lyrical universe is a place where back-to-back haiku (“5 P.M.” and “5 A.M.”) contrast whispered secrets as “the wind scrambles by” with the view of “tall and patient” sunflowers anticipating the coming day; where fireflies “skitter” and “flitter” and the Sandman “slippers into the night”; where “Beehives of buildings /…Glow honey-yellow”; where dusk can be “as thick / As chocolate cake”; and where, when bats fly, “The silver of moon / Glistens a bit / On the black on black, / On the flitter and flit.” From a child’s thoughts about the cosmos and fairy rings to campfire ponderings, shooting stars, and pillow fights, Howell’s witty and wise visions of night flow along until “The skillet sky / Warms up / To a pale buttery yellow.”

This verbal and visual treat portrays the evening as a lively and thought-provoking place of wonder.

Pub Date: Oct. 17, 2017

ISBN: 978-1-946101-31-0

Page Count: 58

Publisher: Spork

Review Posted Online: July 13, 2017

Kirkus Reviews Issue: Aug. 15, 2017

Next book

TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

Next book

ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

Close Quickview