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THIS BOOK KILLS

A proper prep school puzzler.

Sixteen-year-old Londoner Jesminder Choudhary is horrified when one of her classmates is killed—especially when she finds out that the murder scene was re-created from one of her writing assignments.

When news breaks of Hugh Henry Van Boren’s death, Jess receives a chilling anonymous text: “Thanks for the inspiration. I couldn’t have killed Hugh without you.” Jess, who’s of Indian descent and a scholarship student at Heybuckle School, knows that she would make an easy scapegoat for the outraged parents of her classmates if they discovered the connection with her story. When it appears that the police are unable to properly investigate the crime, and the Van Borens’ private investigator proves incompetent, Jess and her best friend, Clementine-Tangerine Briggs, take matters into their own hands. Could the killer be Millie Calthrope-Newton-Rose, Hugh’s ex-girlfriend who was furious at him for cheating on her? Could it be someone in Jess’ Gifted and Talented class who had easy access to her murder mystery assignment? Or is there a connection between Hugh and the Regia Club, a secret society that wields immense influence at the school? The book is structured as a retrospective written by Jess, whose reliance on a scholarship heightens her awareness of her wealthier, mostly white, classmates’ privileges and entitlement. She has a sharp sense of humor, which comes through in her sarcastic commentary and well-timed breaking of the fourth wall. The supporting cast includes some queer representation.

A proper prep school puzzler. (Mystery. 13-18)

Pub Date: Sept. 3, 2024

ISBN: 9781728296906

Page Count: 368

Publisher: Sourcebooks Fire

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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  • New York Times Bestseller

Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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