A powerful antidote to whitewashed cultural mythology.
The true story of a young enslaved woman who escapes the family of George Washington.
“Ona Judge, Ona Judge / Why you run away / Ona Judge?” So begins this inquiry into her quest for freedom; the question is repeated throughout the narrative. “You had fine dresses [and] soft shoes” and other material benefits most enslaved people lacked. Ona is passed around the Washington family, first a playmate for the children, then a personal servant and seamstress for Martha Washington, never working in the fields. But when an aging Martha gives Ona to her granddaughter Eliza, “now a mean and sassy woman,” Ona walks out into the Philadelphia night. Here, the tenor of the text changes—“Didn’t you know you broke the law?”—and the illustrations become dark as she makes her way around corners and hides in a basement. A framed picture—a departure from the full-bleed pages and spreads that depict the current action—gives a glimpse of her future family life: “You dreamed a dream / You would make true.” As she reaches a boat, and freedom, day breaks and readers see the first hint of Ona’s smile. “Then run, Ona Judge, run.” With a distinctive, haunting voice, powerful images, and thought-provoking story structure, this unique look at a remarkable young woman’s life choices and decisions offers an utterly necessary but seldom highlighted perspective on the contradictions within our society’s foundations. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 42.1% of actual size.)
A powerful antidote to whitewashed cultural mythology. (author’s note, timeline, bibliography, places to visit) (Informational picture book. 4-9)Pub Date: Jan. 5, 2021
ISBN: 978-0-374-30704-2
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
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