A first-rate mystery makes this a series standout, even if the titular protagonist splits his hero status with others.
Keating’s (Murderer’s Row, 2015, etc.) latest in his thriller series finds combat-trained pastor Stephen Grant immersed in murder, espionage, and counterfeit wines.
After dropping $405,000 on four bottles of wine, Larry Banner’s worried they might be fakes so good they fooled a master sommelier and wine columnist. He gets in touch with Lutheran pastor Stephen Grant, his best student back when Banner schooled CIA operatives in wine and poker. Grant, a former SEAL as well, has an old CIA partner/lover who can help (while keeping mum to preserve Banner’s rep)—Paige Caldwell, now running her own security firm. The FBI is concurrently working the murder of restaurateur/retired Fed Kenneth Osborne and wife, Barbara, whose Osborne Tavern featured one of New York’s most celebrated wine lists. Agents Trent Nguyen and Rich Noack, aware that Osborne had trouble with counterfeit wines, believe the crime scene was staged to look like a robbery by professionals who were after something else. Eventually there’s murder on Caldwell and Grant’s side of the investigation, too, accompanied by explosive strikes against wine-storing facilities. A tie to the ex-agents’ decades-old case has Grant still blaming himself for a thief who got away. But he hopes to ensnare the guilty party this time around, and the upcoming WineCon could be a gathering of both wineries and potential murderers. The recurring protagonist shares the spotlight with many characters who appeared in preceding novels. This narrative approach, however, proves beneficial. To begin with, the story, though boasting the series’ now-prerequisite action sequences, shifts most of its attention to the mystery. Keating establishes genuine suspects: seems all winemakers, from the respected to the dubious, are under attack, so those culpable aren’t easily detectable. Grant undoubtedly shines in confrontations with baddies as well as lighter subplots: scenes behind the pulpit and his visible awkwardness whenever Caldwell and his wife, Jennifer, are together. But it’s the search for killers that makes the biggest impact, and the pastor can’t take full credit; it’s a team effort, with characters (i.e., Grant’s old CIA pals) that are just as essential.
A first-rate mystery makes this a series standout, even if the titular protagonist splits his hero status with others.Pub Date: Oct. 23, 2016
ISBN: 978-1-5152-7495-7
Page Count: 288
Publisher: CreateSpace
Review Posted Online: Dec. 5, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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