Heavy going in spots, but an extremely provocative glimpse of what the next few decades may well hold.
What will the world look like when computers are smarter than their owners?
Kurzweil, the brains behind some of today’s most brilliant machines, offers his insights. Kurzweil (The Age of Intelligent Machines, not reviewed) posits that technological progress moves at exponential rates. If we apply that standard to the future of computer evolution, another 20 years or so will give us machines with as much memory and intelligence as ourselves. This projection involves a certain faith in as yet unforeseeable technical breakthroughs. There is no obvious way to reduce the size of an electrical circuit beyond a few atoms’ width, for example—but the speed of circuits is a function of their size. Kurzweil gets around this limit (known in the computer industry as Moore’s Law) by suggesting a relationship between the pace of time and the degree of chaos in a system; as order increases, the interval between meaningful events decreases. In other words, a more highly evolved system will continue to evolve at increasing speed. While this seems more a matter of faith than an inevitable law of nature, the history of technology (as Kurzweil summarizes it) seems to bear out the relationship. He extrapolates the future of computer technology, offering both a detailed time line and imaginary dialogues with a fully intelligent computer from a hundred years in our future. (This sort of imaginative exercise inevitably partakes to some degree of science fiction.) The book’s deliberately nonlinear organization offers a variety of paths through the subject matter, as well, and Kurzweil encourages the reader to take whichever approach is attractive. While much of the material (Turing tests, AI research) will be familiar to readers who have followed the growth of computer science, Kurzweil’s broad outlook and fresh approach make his optimism hard to resist.
Heavy going in spots, but an extremely provocative glimpse of what the next few decades may well hold.Pub Date: Jan. 1, 1999
ISBN: 0-670-88217-8
Page Count: 304
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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