Still, we probably can’t have too much of Carver’s spare, precisely honed prose in print. One hopes a Collected Stories will...
A presumably final gathering of work left behind by the writer (1938–88) many considered the American Chekhov: a compassionate and artful chronicler of “ordinary” lives.
In her warmhearted foreword, Carver’s widow, Tess Gallagher, describes the discovery and preparation for publication of the five stories that are the real raison d’etre of this otherwise patchy volume (most of whose other contents appeared in the miscellanies Fires, 1989, and No Heroics, Please, 1992). “Vandals” and “Call If You Need Me” employ carefully developed images of separation and conflagration to depict relationships unraveling and children afflicted by their parents’ instability (though the title story does contain the marvelous, and perhaps prophetic, image of horses appearing mysteriously in its protagonists’ front yard). “What Would You Like to See?,” a rigorously understated portrayal of a couple whose closeness is threatened by drinking, is a comparatively shapeless and repetitive version of several earlier, superior stories (surely Carver wasn’t done with it). The old magic resurfaces in “Kindling,” a subtle look at an alcoholic writer estranged from his wife (and “between lives”), who seeks stability in performing chores for the couple with whom he boards, a pair whose surface happiness seems merely a variant strain of his own disorientation. “Dreams”—the best of these five—ingeniously dramatizes the limits of our ability to enter imaginatively into others’ lives, while echoing one of Carver’s most deservedly famous stories, “A Small, Good Thing.” By comparison, the five “Early Stories” are slack and melodramatic, the flat “Fragment of a Novel” a superficial glimpse of (its self-described) “broken-down Hemingway characters.” It’s nice to have the compact literary essays “On Writing” and “Fires” available again, as well as the wonderfully moving “My Father’s Life”—but, as stated, these are available elsewhere.
Still, we probably can’t have too much of Carver’s spare, precisely honed prose in print. One hopes a Collected Stories will appear before long.Pub Date: Jan. 16, 2001
ISBN: 0-375-72628-4
Page Count: 285
Publisher: Vintage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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