An amusing, if drawn-out, satire of suburban life.
A modern-day twist on Flaubert’s Madame Bovary sets the story in small-town America.
Keech (A Hundred Veils, 2015) takes on a literary classic in this novel, which follows the romantic and social trials and tribulations of Emma Bovant and her husband, Charles. Emma is a suburban homemaker with professional aspirations; Charles is a caricature of the 21st-century social justice warrior, a tutor/social worker who struggles to make rent while insisting on buying organic food. Financial tensions between the two are simmering when Charles finds a new career goal and a potential sponsor. He decides to become a life coach to a wealthy local woman, Bea Doggit, who pays him $150 an hour for his services. Emma quickly becomes jealous of the relationship, professional or otherwise, developing between her husband and Bea; the first third of the book is mostly an account of romantic envy. Emma eventually realizes, however, that something larger is at play in her sphere. Bea, a realtor, is collaborating with a local pastor to push a major real estate deal through the small town. But for their plan to succeed, they must convince Andre Smyth, Charles’ friend from college, to sell his land along the river. Andre is the opposite of the local culture. Whereas Bea is a Bible-thumping, community-spirited denizen of the modern world, Andre is gay, Bohemian, and a self-avowed intellectual. As the reader realizes that Bea is manipulating Charles to exploit his friendship with Andre, Emma develops a sexual attraction to a man she can never have. Keech’s book never approaches the heights of Flaubert’s landmark novel, but it does cultivate a compelling sense of drama, especially when it focuses on the real estate plotline (At one point, Bea asks Charles for help with Andre: “We just think you might be the only one who can convince him to accept a fantastic price for his property”). Emma’s jealousy toward Bea, on the other hand, feels disproportionate early on, and readers may find her emotional struggle histrionic. Then again, the same could be said at times of Emma Bovary. This tale should please readers who enjoy romantic drama, and may be of interest to fans of Flaubert.
An amusing, if drawn-out, satire of suburban life.Pub Date: Sept. 1, 2017
ISBN: 978-0-9983805-4-4
Page Count: -
Publisher: Real Nice Books
Review Posted Online: Aug. 10, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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