A gorgeous novel about finding redemption.
In Nolan Martin’s (The Sublime Transformation of Vera Wright, 2012) latest novel, a group of eccentric nuns struggle to find themselves and each other in a convent.
Gemma stands on a hill, talking to the Hudson River. Arielle, fresh from rehab, wakes up in a jail cell to a vision of an angel. Prioress Michael Agnes reads through correspondence from the Vatican. Although each character is very different, they all soon find themselves at the same convent on a farm near Albany, N.Y. Gemma so wants to be saintly that she conducts secret acts of penance, putting rock salt in her too-small shoes and wearing full winter habits in the heat of summer. She tends the fields of the farm and protects her secret: She hears the voice of her “twin,” Maya, who begs to be “let out,” only to be pushed down by Gemma’s saintly aspirations. Sister Mike works to keep the ragtag group of nuns together, as the convent is hemorrhaging money, and caring for the group (and the “grand ancient mystic” Mother Augusta) is taking its toll. When former criminal Arielle is sent to the convent, she’s not Catholic, nor anything close to a saint, but something immediately changes. Arielle touches the life of each nun in a different way—attending to Mother Augusta, becoming Gemma’s confidante, and even getting Mike an iPhone for the office. However, Gemma’s inner voices become too much for her, and when it appears that “Maya” is here to stay, each woman springs into action. In a novel that’s similar in structure and tone to Toni Morrison’s Paradise (1997), Nolan Martin tells the story from the viewpoints of each main character and truly gives each her own distinct voice—not an easy feat. Readers get a beautifully fleshed-out and complete look at their likes, dislikes, fears and pasts, all of which add to the intensity of the novel’s main plotline. The story crosses all barriers of religion, and readers needn’t be Catholic or even Christian to appreciate its universal tropes. The author brings her obvious spirituality and humanity to this wonderful, relatable tale of failure, love and triumph.
A gorgeous novel about finding redemption.Pub Date: Nov. 5, 2013
ISBN: 978-0991032211
Page Count: 358
Publisher: Wiawaka Press
Review Posted Online: Dec. 24, 2013
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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