Spiritually rich and unabashedly passionate, this memoir is a feast for the soul.
A woman seeking connection with her deceased mother immerses herself in Cuba’s Santeria religion in this powerful memoir.
When Huntman was 19 years old, her mother died. Still aching from the loss 30 years later, the author became intrigued by the Cuban festival celebrating Our Lady of Charity. On her first trip to Cuba to study dance, she was introduced to the ritual dances of Santeria and learned how the river goddess Ochún has been syncretized with Our Lady of Charity. Huntman felt compelled to join the yearly pilgrimage to Our Lady’s sanctuary, hoping to find a way back to her mother in the pursuit of the “divine matriarch.” She took a second month-long trip to Cuba, spending the first 15 days in Havana to learn more about Santeria and the dances and rituals surrounding Ochún. For the second half of the trip, she journeyed to El Cobre, where the yearly ceremonies honoring Our Lady take place, to commune with priests and historians. Finally, she visited a spiritistnamed Madelaine, who Huntman hoped would be able to summon her mother’s spirit. As Huntman became enthralled by the goddess Ochún, she also began to adeptly interrogate the role of femininity in her and her mother’s lives, exploring how gender affected their ambitions, social expectations, and presentation of themselves. (“At night I’d kneeled by my bed praying to whatever father god looked over me. Nowhere had I been looking for a woman–a feminine source I carried inside myself.”) The author’s search for her mother becomes a compelling examination of the self as she questions her past and her belief systems as they relate to the divide between the living and the dead. Huntman’s deep love and respect for Cuba, and the Afro-Cuban traditions that permeate the culture, are abundantly clear in the writing. Lush, detailed descriptions of the world she was granted access to are skillfully interwoven with her personal reflections on her past and present.
Spiritually rich and unabashedly passionate, this memoir is a feast for the soul.Pub Date: Feb. 18, 2025
ISBN: 9781958972557
Page Count: 280
Publisher: Monkfish Book Publishing
Review Posted Online: Sept. 13, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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