A little bit of thriller, a little bit of romance make this coming-of-age story a lot of fun.
The kidnapping of the daughter of a prominent Mexican banker forces the young woman to face uncomfortable truths about her sheltered upbringing.
Beautiful Ximena Villarreal, with curves in all the right places and a dancer’s legs, is practically Mexican royalty, the only daughter of one of the richest bankers in the country. She lives with few cares, insulated from the hard truths of the less fortunate, until one evening when her mother’s car is run off the road, their chauffeur killed, and Ximena kidnapped by a quartet of beastly criminals. Unfortunately for the band, just moments before her abduction, Ximena had reconnected with her dashing, judo-trained cousin, Alejandro Montalban, their short reunion reigniting a passion between them that spurs Alejandro to stage a dramatic rescue. These events force Ximena to look at her life anew and for the first time ask herself what she wants, and whether her boyfriend Tommy, with his ambition and model good looks, and her father, who wishes to move the couple to Spain, truly have her best interests in mind. Alejandro seems to offer an alternative, sharing with her his plans to create quality affordable housing for Mexico’s neediest. But he is her cousin, and a dark family secret may make any future together, as friends or more, impossible. In her novel, Galindo (Habitantes de Mi Tiempo, 2009) dresses up Ximena’s coming-of-age story with a distinctive Hispanic flair and culture, both in the opulence of its protagonist’s high-class upbringing and the natural beauty of the more rural areas outside of Mexico City, from the forests to the beaches. It’s as easy to fall in love with the country as it is Ximena herself. Her quirks make up for any immaturity, with her affinity for Tootsie Rolls with Champagne as charming as it is telling, and her bravery under the threat of violence and rape marking her as no pushover. Most of the characters in the novel are fairly one-note, from Ximena’s domineering father and manipulative boyfriend to the salivating kidnappers. But the interactions between Ximena and Alejandro shine, their rapport exuberant and flirty, allowing them to grow beyond the legs and abs that seem to draw the two together.
A little bit of thriller, a little bit of romance make this coming-of-age story a lot of fun.Pub Date: March 3, 2016
ISBN: 978-1-61244-441-3
Page Count: 214
Publisher: Halo International Publishing
Review Posted Online: Jan. 14, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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