THE TERRIBLE GIRLS

A debut collection of eight stories—by the American author of The Haunted House (1986) and The Children's Crusade—that was first published two years ago in England. These edgy, intense, and relentlessly abstract fictions are reminiscent of Brown's most obvious precursor, Djuna Barnes. Like Barnes, Brown explores the boundaries of erotic and emotional life in imagistic prose. Her neo-gothic sensibility reduces narrative to its essence and insists on the literal dimension of figurative language. When the narrator of ``Forgiveness'' promises to give her right arm for love, her lover bronzes the amputated limb. ``The Dark House'' and ``Isle of Skye'' are allegories of passion and betrayal in a world where female lovers explore each other like foreign countries, giving new meaning to the notion of wanderlust. The betrayed lover-narrator of ``Junk Mail'' searches for the secret meaning in her generic mail- -until the post delivers her lost body parts. The narrator who plays doctor in ``Dr. Frankenstein, I Presume'' extracts a heart made of candy from her faithless lover. But if love inevitably leads to dismemberment in Brown's linked stories, there can be no forgiveness or healing. Desire shrouded in secrecy—and scorned by many—results in social hypocrisy as well (``Lady Bountiful and the Underground Resistance''). In the meantime, the landscape may be devastated in ``The Ruined City,'' but this last story ends with a chilling affirmation, a literally ``resurrected heart.'' With her stainless-steel prose, Brown surgically dissects ambivalent hearts—and also those that pulse with the love that here never speaks its name.