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PERMIT ME TO WRITE MY OWN ENDING

An intense and unforgettable compilation of poetry.

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Faulkner’s debut collection of poems explores the underbelly of humanity.

The author boldly confronts the ugly, dark aspects of life and death in this powerful set of poems; she recounts a tragic accident and contemplates the aftereffects of war, among other grim topics. In “King’s Head,” a speaker recalls “gum hardened” desks, a phone cord in “Twelve” “stretched under my door umbilical tight,” and, in “Sixteen,” she describes being groped outside of a club. The innocence of a “jump-rope slap” in “Rope” and double Dutch chants of youth give way to “Operation Virginity” and gruff sex with a soldier. “Viable” describes a miscarriage, after which the speaker seeks solace on a lake bed in “Small Bodies of Water.” In “Fireweed,” the speaker yearns to tell an absent man about his son, “but there is no more room inside your busted skull for us.” She describes the ease of deceiving a doctor in “Transference” and the awkwardness of crossing paths with a therapist in the grocery store in “Shrink.” Faulkner also imagines the mindset of German political activist Sophie Scholl during her execution by the Nazi government in 1943and pens a tribute to Mrs Dalloway author Virginia Woolf’s traumatized World War I soldier Septimus Smith. The author is masterful at evoking the tough, gritty nature of her speakers’ surroundings, describing the way “the shoreline keens & punches,” the “gin-sodden drizzle” of Southend, and the “burnt chalk taste of trams” in East Berlin. Her work addresses the experience of being female in a hostile world: In “Sixteen,” the speaker recalls walking home, “brass keys clasped between shaking fingers.” Her “hunger / for things that are just out of reach” is palpable and relatable. That said, some readers might feel unmoored by the nonchronological order of the text.

An intense and unforgettable compilation of poetry.

Pub Date: March 23, 2023

ISBN: N/A

Page Count: 63

Publisher: Write Bloody

Review Posted Online: March 3, 2023

Kirkus Reviews Issue: May 1, 2023

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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INTO THE UNCUT GRASS

A sweet bedtime story.

A boy and his stuffed bear head into the woods.

Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.

A sweet bedtime story.

Pub Date: Oct. 8, 2024

ISBN: 9780593729960

Page Count: 128

Publisher: One World/Random House

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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