A vivid, indulgent imagining of the legendary collector.
Rich, restless, driven by “grand dreams” and fears of a family curse, Peggy Guggenheim sets out to find the bohemian life for which she yearns.
Godfrey worked on this book for 10 years before dying of cancer in 2022; using the manuscript and notes she left behind, Jamison finished the book, immersing the reader in Godfrey’s vision of the intense and willful Guggenheim as she progresses from adolescence to womanhood: “I wanted a future of gangsters or poets; I wanted violence and beauty…” At 14, after her father—traveling with his mistress—dies on board the Titanic, Peggy, her mother, and two sisters must downsize, but they are still wealthy members of New York society, living under Mrs. Guggenheim’s expectations of conformity. Peggy, meanwhile, even in her teens is testing the limits of her position, deceiving her mother about what she’s studying in school, flirting with both sexes, questing constantly “for another kind of life…A life among artists.” A job in an avant-garde bookshop introduces her to some of those creative people, including Laurence Vail, a sculptor known as the King of Bohemia. Moving to Paris, marrying Vail, and having two children with him, Guggenheim begins to claim her chosen identity. More appealing in its earlier, questing, formative half, the novel turns more glamorous and sensational in its later chapters. Guggenheim’s friends and many lovers come to the fore, while famous names pervade the text—Man Ray, Hart Crane, Emma Goldman, James Joyce, Samuel Beckett (one of those lovers). Issues of class, antisemitism, modernism, sexuality, women’s rights, and politics are discussed, and there’s plenty of drama. Peggy’s marriage turns abusive; her older sister dies in childbirth, and her younger is accused of killing her two sons after they fall to their deaths. The story concludes as Peggy reaches 40, but a coda set in Venice 20 years later crams in the art purchases for which she is mainly remembered. It’s a devoted, creative version of the life, often in romantic thrall to the mercurial, impulsive, insulated figure at its center.
A vivid, indulgent imagining of the legendary collector.Pub Date: Aug. 13, 2024
ISBN: 9780385538282
Page Count: 384
Publisher: Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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