One of those almost too-clever and erudite novels about identity and the nature of women that challenge the head, but neglect the heart, by novelist and philosophy teacher Goldstein (The Mind-Body Problem, The Late Summer Passions of a Woman of Mind). Hedda, a writer of fierce feminist novels whose protagonists are known as JAW's—''Jewish Angry Women''—has fled to Maine to write her next novel in undisturbed isolation. Up in the wooden tower of the house, she begins to write a story about two nameless sisters but is interrupted by calls from her own sister in New York, the much divorced and analyzed Stella. Stella uses these calls to repeat unfavorable reviews of Hedda's novels and complain about her analyst. The two sisters are not close, but they are linked by a common childhood of misery and maternal cruelty. As Hedda struggles with this novel, quite unlike her others, she finds Jamesian characters and style, as well as William and Henry James themselves, taking over her story. Dr. Austin Sloper (Washington Square) appears and calls in William James to investigate the two spinster sisters (now named). Alice Bonnet, plain and unimaginative, is worried about the unwomanly intellectual pursuits of her sister, brilliant and beautiful Vivianna, who studies the stars from a wooden tower. Identities are confused; parallel plots unfold; Stella begins writing successful detective stories; and the three Jameses—William, Henry and Alice—add further commentary, but, meanwhile, Hedda herself is descending into a madness provoked by her realization that ``personal identity is, even while we live, a plumped-up phantasm, a frightened fiction...to keep the wider sea from breaking through.'' Fortunately, sisterly help is at hand. Witty, learned, and nicely satirical, Goldstein's latest should offer more than a chance for the literate to identify allusions and literary figures, but it doesn't. And Hedda and Stella, whose story should hold it all together, get lost in the brilliant throng. Disappointing.
Pub Date: July 1, 1991
ISBN: 0-670-83556-0
Page Count: 288
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1991
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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