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EVERY COWGIRL GOES TO SCHOOL

Girls having friendship troubles may not find the solutions they seek here, but Nellie Sue does have a can-do attitude that...

It is easy to misconstrue everything that happens on a not-so-good first day of school when a new girl upsets the balance between two friends.

Cowgirl Nellie Sue is excited about the brand-new day of school ahead of her. But starting with the bus ride, her day goes downhill. Her friend Anna is sitting (and talking!) with some other girl. And Anna and the straight-laced Maya seem to be best buds all day long—from their seats next to each other and their giggling and whispering to Maya’s stepping on Nellie Sue’s shoelace and causing her to fall—leaving poor Nellie Sue to feel left out. When Maya’s attempt to reach out to Nellie Sue backfires, Maya then seeks her out, and the two immediately become fast friends. While the girls’ detente is way too easy and somewhat unrealistic, Nellie Sue’s spirit and determination remain consistent with her previous outings, and her message is an important one: “It was a brand-new day, and I decided it would go just my way.” Avril’s watercolor and gouache illustrations capture the girls’ emotions, and she nicely shows the three friends’ different personalities through their clothing choices, hairstyles and the five things they have added to their “all-about-me” bags.

Girls having friendship troubles may not find the solutions they seek here, but Nellie Sue does have a can-do attitude that will resonate with readers. (Picture book. 4-7)

Pub Date: June 27, 2013

ISBN: 978-0-8037-3937-6

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 7, 2013

Kirkus Reviews Issue: June 1, 2013

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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