As compulsively readable as it is thoughtful and moving: an unbeatable fictional combination.
Another ambitious change of pace for the versatile and accomplished Makkai (The Hundred-Year House, 2014, etc.), whose characters wrangle with the devastating impact of the AIDS epidemic at its height and in its aftermath.
In the first of two intertwined storylines, Yale and his live-in lover, Charlie, attend an unofficial wake for a dead friend, Nico, held simultaneously with his funeral service because his Cuban-American family has made it clear they don’t want any gay people there. It’s 1985, and Makkai stingingly re-creates the atmosphere of fear, prejudice, and sanctimonious finger-pointing surrounding the mortally afflicted gay community, even in a big city like Chicago. Nico’s younger sister, Fiona, has rejected their family and attached herself to his friends, with emotional consequences that become apparent in the second storyline, set 30 years later in Paris. As is often the case with paired stories, one of them initially seems more compelling, in this case Makkai’s vivid chronicle of Yale’s close-knit circle, of his fraught relationship with the obsessively jealous Charlie, and his pursuit of a potentially career-making donation for the university art gallery where he works in development. Fiona’s opaque feelings of guilt and regret as she searches for her estranged daughter, Claire, aren’t as engaging at first, but the 2015 narrative slowly unfolds to connect with the ordeals of Yale and his friends until we see that Fiona too is a traumatized survivor of the epidemic, bereft of her brother and so many other people she loved, to her lasting damage. As Makkai acknowledges in an author’s note, when a heterosexual woman writes a novel about AIDS, some may feel she has crossed “the line between allyship and appropriation.” On the contrary, her rich portraits of an array of big personalities and her affecting depiction of random, horrific death faced with varying degrees of gallantry make this tender, keening novel an impressive act of imaginative empathy.
As compulsively readable as it is thoughtful and moving: an unbeatable fictional combination.Pub Date: June 19, 2018
ISBN: 978-0-7352-2352-3
Page Count: 432
Publisher: Viking
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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