by Rebecca Patterson & illustrated by Mary Rees ‧ RELEASE DATE: Dec. 15, 2006
This debut reminds that even the class clown has positive attributes that need to be rewarded. Miss Conway gives out gold stars for behavior and work. But Gordon’s name has no stars next to it, partly because of his unconventional solutions to his classmates’ problems. In math class, he helps Martha by removing his socks so she can use his toes to count higher. Martha earns a gold star. Gordon is told to put his shoes on. A final disappointment triggers a frustration meltdown. His classmates then begin naming the things Gordon is good at: being kind, helpful, funny and cheering up his friends. In his honor, Miss Conway names the Gordon Star, given each day to the student who exhibits those qualities. Teachers may wish for more examples of Gordon’s helpfulness and fewer of his antics, but Patterson’s message is clear, as are the meanings of the Briticisms scattered throughout the text. Rees’s artwork masterfully illustrates Gordon’s emotions, making him into a classmate any child can empathize with. Not a standout, but this may be just the thing for a classroom dealing with its own clown. (Picture book. 5-8)
Pub Date: Dec. 15, 2006
ISBN: 0-86264-893-9
Page Count: 32
Publisher: Andersen/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2006
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by Rebecca Patterson ; illustrated by Rebecca Patterson
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by William Miller & illustrated by Rodney Pate ‧ RELEASE DATE: May 1, 2004
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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by William Miller & illustrated by Charlotte Riley-Webb
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