Next book

THE BEST REVENGE

SHORT STORIES

Brisk and (generally) unsentimental stories of New England rural life, by an emerging New Hampshire writer whose flinty wit may remind readers of Maine's Carolyn Chute or Vermont's E. Annie Proulx. Of the 19 tales gathered here, several have previously appeared in Rule's Wood Heat (1992, not reviewed). Her narrative situations tend toward monotonyunappreciated housewives, selfish and inconsiderate husbands, ignored and inquisitive kids predominatebut a real unity is gained by her fierce concentration on people who lead stunted, unfulfilled lives and know in their bones they were meant for something better. The collection begins impressively, with an inventive image of down-eastern sheer cussedness at a contentious school-district meeting (``Yankee Curse'') and the tangy title story, in which an embattled woman finds surcease from a lingering illness in adapting her newfound skills as a potter to contemplate voodoo against a self-righteous neighbor. If too many of the subsequent pieces focus on daughters fishing with their fathers, or deprived spouses confronting their overgrown-boy husbands, Rule nevertheless manages several almost- total successes. There's a charming example of her feel for the tensions between stubborn townsfolk and naive newcomers in ``The Widow and the Trapper,'' effectively varied portrayals of the psyches of lonely and misunderstood women in ``Etta Walks'' and ``Ada among the Dogs,'' and a deeply moving, richly metaphoric study of a well-meaning failure in the volume's best story, ``The Fisher Cat.'' Rule knows her fishing, farming, and trapping details and can raise a reader's eyebrows with salty dialogue (``She's not a witch....She's a baptist'') and vigorous imagery (when a Little League base-runner is incorrectly called out, Rule writes, ``They'll have to pry him off this base like a bloodsucker from a swimmer's calf''). This strong book is a bit like a New England barn: rough- edged, with unaccountable gaps and overhangs and nails hammered into places where they're not needed. But it does the job, and looks built to last.

Pub Date: Sept. 15, 1995

ISBN: 0-87451-702-8

Page Count: 208

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1995

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:
Close Quickview