Despite some repetition, Solnit’s passionate, shrewd, and hopeful critiques are a road map for positive change. Keep these...
Clarion calls for social and political activism.
Readers familiar with Solnit’s most recent collections of essays, Call Them by Their True Names, the winner of the 2018 Kirkus Prize for Nonfiction, will find more of the same here, laced with even more scathing and harsh assessments of our world today. In a series of sharp pieces, the author dissects a variety of timely topics, especially the sexual harassment and discrimination of women and the #MeToo movement as well as Native American rights, the anti-gun movement, white nationalism, Black Lives Matter, and climate change. Solnit argues that we live in a transformative time: “You can see change itself happening, if you watch carefully and keep track of what was versus is.” She wants to build “new cathedrals for new constituencies.” The names may have changed, but for Solnit, the stories remain the same. After recalling being sexually harassed by a cook when she was a busgirl, she goes on to discuss Harvey Weinstein and how some men in power can go to “extraordinary lengths to make somebodies into nobodies,” noting “that truth, like women, can be bullied into behaving.” In “Voter Suppression Begins at Home,” Solnit recounts personally observing how husbands can “bully and silence and control their wives,” even with mail-in ballots. She takes on Brett Kavanaugh and Jian Ghomeshi, formerly with CBC, over the “long, brutal tradition of asserting that men are credible but women are not.” She praises Christine Blasey Ford as a “welcome earthquake” for speaking out at the Kavanaugh hearing. The author also praises Alexandria Ocasio-Cortez for her Green New Deal and those who helped remove Confederate statues around the country—though she bemoans the fact “that there are only five statues of named women in New York City.” Donald Trump, that “dirtbag dragon,” is often held up for scorn.
Despite some repetition, Solnit’s passionate, shrewd, and hopeful critiques are a road map for positive change. Keep these collections coming.Pub Date: Sept. 3, 2019
ISBN: 978-1-64259-018-0
Page Count: 150
Publisher: Haymarket Books
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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