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MOM SCHOOL

Stories glorifying mothers abound; this well-intentioned but rather bland one does not distinguish itself.

An imaginative, ponytailed girl compares what she learns at school to what she believes her mother learned at Mom School.

“When I go to school, I learn how to cut and glue paper, count to 100, and sing silly songs. My mom says she went to school, too.” So begins this title, in which the young narrator shares what she thinks happens at a school for mothers. The page turn reveals a group of ethnically diverse, backpack-toting women, many with coffee mugs, heading into a multistory brick school. There, the students learn how to juggle various tasks, such as shopping for groceries while not losing sight of the kids, talking on the phone while fixing a daughter’s hair, and making dinner while listening to a child’s new song. Other lessons include how to properly tuck a child into bed, read stories, bait a fishhook, and pump a bicycle tire; all are betrayed with gentle comic effect in Burris’ digitally painted illustrations. Readers will be pleased to recognize such activities as building a fort out of couch cushions and decorating cupcakes, but these kidcentric lessons follow a pretty drawn-out exploration of a single joke. The conclusion replicates that found in many other books: “she says her favorite job, her best job, her most important job is…being my mom.”

Stories glorifying mothers abound; this well-intentioned but rather bland one does not distinguish itself. (Picture book. 4-7)

Pub Date: March 24, 2015

ISBN: 978-0-385-38892-4

Page Count: 32

Publisher: Doubleday

Review Posted Online: March 16, 2015

Kirkus Reviews Issue: April 1, 2015

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A THOUSAND YEARS

A sweet notion that falls flat.

A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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