Eye-opening and sometimes shocking, as it brilliantly explodes traditional notions about the nuclear family.
A moving, wildly diverse collection showing how radically different familial configurations can work.
Prompted by her experiences growing up in a family “fragmented and haunted by unfulfilled longings,” Walker (Baby Love: Choosing Motherhood After a Lifetime of Ambivalence, 2007, etc.) looks beyond her well-publicized estrangement from her mother, novelist Alice Walker, to the lives of other writers “searching for authenticity through experimentation” in their domestic situations. The essays she assembles smash class, race and gender stereotypes to collectively demonstrate the fluidity of the contemporary family unit. Resisting the traditional boundaries of coupledom, Jenny Block, on the one hand, celebrates the openness of what she calls a “polyamorous marriage” with her husband and her girlfriend. On the other hand, Judith Levine and her boyfriend, together for 17 years, never married for a number of practical and philosophic reasons. Writes Levine: “A marriage may or may not be a union of love. It is always a union of property...I’d like the state to get out of the sexual-licensing business altogether, actually, for couples gay, straight, bi, or none of the above.” Essays by Dan Savage and Dawn Friedman lay bare the highs and lows of open adoption. Savage details the difficulty he and his partner have in deciding what to say to their adoptive son when his homeless, substance-abusing biological mother drops out of touch for more than a year: “Which two-by-four to hit him with? That his mother was in all likelihood dead? Or that she was out there somewhere but didn’t care enough to come by or call?” Friedman, while admitting to occasional twinges of jealousy and guilt evoked by having her daughter’s birth mother integrated into their lives, trumpets openness for her daughter’s sake: “She will never have to wonder why her first mother chose adoption; she can ask her.” Rebecca Barry closes the anthology with a frank, humorous exploration of how she and her sister ended up in couples therapy.
Eye-opening and sometimes shocking, as it brilliantly explodes traditional notions about the nuclear family.Pub Date: Feb. 19, 2009
ISBN: 978-1-59448-862-7
Page Count: 236
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2008
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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