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YOU CAN RUN

A strong start to a new series promises more mystery and romance for an up-and-coming FBI profiler.

An FBI agent and profiler returns to her hometown to catch a serial killer.

Laurel Snow was a child prodigy who started college at the age of 11. Fast-tracked through graduate school and the FBI, Laurel is an accomplished profiler even though she’s not yet 30. Meanwhile, in the remote Oregon valley where she grew up, teenagers discover several decomposing bodies. It is quickly determined to be the work of a serial killer, and Laurel is sent to investigate because of her knowledge of the area and community. Due to the location of the remains, the responsibility for the investigation is shared between the FBI and local authorities. Laurel partners with Fish and Wildlife Officer Huck Rivers to investigate who in the town might have had access to the remote mountain site. Laurel and Huck’s investigation is compromised when the killer accelerates his pattern, kidnapping and killing fresh victims in order to taunt Laurel. Zanetti is a master of romantic suspense, creating tightly plotted mysteries with delicious twists and turns. Laurel’s interactions with the locals create a large pool of suspects that will keep the reader guessing. As is often a hallmark in the romantic suspense genre, Laurel uncovers long-hidden personal secrets of her own as she works the serial killer case. This first book in a new series follows more of an urban fantasy model, with the main mystery being solved by the end of the novel but several subplots left dangling for future books. Romance fans should be warned that this includes the budding romance between Laurel and Huck, which does not have a happily-ever-after in this installment.

A strong start to a new series promises more mystery and romance for an up-and-coming FBI profiler.

Pub Date: Jan. 25, 2022

ISBN: 978-1-4201-5432-0

Page Count: 400

Publisher: Zebra/Kensington

Review Posted Online: Dec. 20, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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WITCHCRAFT FOR WAYWARD GIRLS

A pulpy throwback that shines a light on abuses even magic can’t erase.

Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.

Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.

A pulpy throwback that shines a light on abuses even magic can’t erase.

Pub Date: Jan. 14, 2025

ISBN: 9780593548981

Page Count: 496

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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