by Reece Jones ‧ RELEASE DATE: Sept. 28, 2021
The author’s ability to connect the dots is impressive—and depressing, since the politics of ethnic hatred persist.
A critical examination of U.S. immigration policies across the centuries as instruments of racism.
Jones, a professor of geography and environment in Hawaii, reveals that that island state, as well as Puerto Rico, were long excluded from allowing immigrants precisely because both “had large nonwhite citizen populations.” This exclusion followed from a 19th-century policy, born of Jeffersonian tenets at the birth of the republic, that held that the notion of all men being equal applied to White men only, with only “a free white person” eligible for citizenship. Such convictions were common in Jefferson’s day—and in Trump’s. As Jones writes, Reince Priebus, then serving as Republican National Committee chair, warned Trump to tone down his racism during the 2016 campaign “because it could tarnish all of the Republicans running for president,” to which Trump responded by doubling down on his anti-Mexican and then anti-Muslim rhetoric. Jones engages in good investigative journalism to chase down the sources of Trumpthink, given that Trump has never had an original idea of his own, in a complex and “carefully orchestrated effort” to place the racist, exclusionary politics of a century past (pitched largely at excluding Asians from coming to the U.S.) at the center of a new sort of mainstream politics feeding a fearful base. This effort involved the feeding of millions of dollars to anti-immigration groups—$63 million from one donor alone. These groups exalted ideas by the likes of a Michigan ophthalmologist named John Tanton, who asserted that “for European-American society and culture to persist requires a European-American majority.” By this incisive account, that concept was red meat for the likes of Steve Bannon and Stephen Miller, the latter of whom cut his teeth on the racist politics of former Trump ally Jeff Sessions.
The author’s ability to connect the dots is impressive—and depressing, since the politics of ethnic hatred persist.Pub Date: Sept. 28, 2021
ISBN: 978-0-8070-5406-2
Page Count: 272
Publisher: Beacon Press
Review Posted Online: June 24, 2021
Kirkus Reviews Issue: July 15, 2021
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by Reece Jones
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by Reece Jones
by Omar El Akkad ‧ RELEASE DATE: Feb. 25, 2025
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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