A joyful and accessible introduction.
A Palestinian cookbook author and food writer explores her country’s rich cultural heritage.
Organizing the book into seven sections, Kassis covers geography, cultural symbols, major figures, agriculture, cuisine, performing arts, and history and religion. The author discusses major cities like Jericho (arguably the world’s oldest city as well as “the lowest city on Earth, sitting 258 meters below sea level”), Akka, and Haifa, as well as significant landmarks. She explains the importance of cultural symbols like tatreez, the art of embroidery, and how these designs often tell stories. She also describes traditional garments, such as the thobe (a long-sleeved belted dress) and the keffiya (a scarf worn by men). A chapter devoted to “creative minds” profiles poet Mahmoud Darwish; Mustafa Murrar, often called “the pillar of Palestinian children’s literature”; scholar Edward Said; charity worker Samiha Khalil; and journalist and field correspondent Shireen Abu Akleh, among others. Given the author’s culinary background, it’s no surprise that food is well covered, too, from maqlubeh (a dish typically made of layers of meat, rice, and vegetables) to knafeh (a dough-based dessert). Kassis’ details are well chosen and convey her love of her homeland; fun facts and “Did you know?” sidebars enliven the engaging text. Eilouti’s bright illustrations complement the writing, portraying important landmarks in cities, capturing the cross-stitch patterns in cushions, and bringing to life examples of native plants.
A joyful and accessible introduction. (index) (Nonfiction. 9-12)Pub Date: Sept. 19, 2023
ISBN: 9781623717254
Page Count: 112
Publisher: Crocodile/Interlink
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Bial (A Handful of Dirt, p. 299, etc.) conjures up ghostly images of the Wild West with atmospheric photos of weathered clapboard and a tally of evocative names: Tombstone, Deadwood, Goldfield, Progress, Calamity Jane, Wild Bill Hickock, the OK Corral. Tracing the life cycle of the estimated 30,000 ghost towns (nearly 1300 in Utah alone), he captures some echo of their bustling, rough-and-tumble past with passages from contemporary observers like Mark Twain: “If a man wanted a fight on his hands without any annoying delay, all he had to do was appear in public in a white shirt or stove-pipe hat, and he would be accommodated.” Among shots of run-down mining works, dusty, deserted streets, and dark eaves silhouetted against evening skies, Bial intersperses 19th-century photos and prints for contrast, plus an occasional portrait of a grizzled modern resident. He suggests another sort of resident too: “At night that plaintive hoo-hoo may be an owl nesting in a nearby saguaro cactus—or the moaning of a restless ghost up in the graveyard.” Children seeking a sense of this partly mythic time and place in American history, or just a delicious shiver, will linger over his tribute. (bibliography) (Nonfiction. 9-11)
Pub Date: Feb. 1, 2001
ISBN: 0-618-06557-1
Page Count: 48
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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