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MY LITTLE GRANDMOTHER OFTEN FORGETS

An enchantingly cozy world of window seats, trellises and rose-patterned curtains is Tom’s little grandmother’s physical world, and her home’s familiar surroundings help comfort her deteriorating brain. Soft watercolors and ink create an ordered loveliness, which complement the equally gentle rhyming couplets. Her mental condition worsens, so on the last pages, she is living with her son’s family, no longer able to live at home: “My little grandmother lives with me now. She doesn’t know why and she doesn’t know how. She can’t find her cat, and she loses her way”—yet she feels safe, because she has Tom, who looks like Roy, her beloved son when he was a boy, “so she thinks she will stay.” Tom describes his relationship with her in simple descriptive words, evocative of grandmother’s confusion and deepening loss. Though he’s as tall as a grocery-store shopping cart, she isn’t much taller and his confident presence makes all the difference. This is a truly brilliant treatment of memory loss, in which grandmother’s connection with her life is found again and again in little flashes because of her favorite things being close at hand: blue-china teacup, big orange cat and Tom. Worlds of understanding flow from Lindbergh, whose long experience with her own mother’s slow demise enlightens each page with tender reality. (Picture book. 3-5)

Pub Date: April 1, 2007

ISBN: 0-7636-1989-2

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2007

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LOLA LOVES STORIES

From the Lola & Leo series

Lola’s daddy takes her to the library every Saturday, where she finds “excellent books,” and every night her mommy or daddy reads them to her. The next day Lola acts out the story. On Sunday she’s a fairy princess; on Monday she takes her toy animals “on fantastic trips to places like Paris”; on Wednesday she’s a tiger, etc. Each new book and day provides Lola with a variety of tales to play out, with the last one—which is about a wild monster—posing the question, “What will Lola be tomorrow?” The final page shows her in a wolf suit just like Max’s. The library books, the pretending and the incorporation of the days of the week work together as a simple and pleasing premise. Beardshaw’s acrylic illustrations depict the multicultural kids and Lola’s black family with childlike charm, while the title will have librarians, parents and booksellers smiling. Alert: The book will be an invitation for lap kids to follow Lola’s lead—not such a bad thing. (Picture book. 3-5)

Pub Date: July 1, 2010

ISBN: 978-1-58089-258-2

Page Count: 28

Publisher: Charlesbridge

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: June 1, 2010

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WITH ALL MY HEART

Sweet.

A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.

With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”

Sweet. (Picture book. 3-5)

Pub Date: Dec. 3, 2019

ISBN: 978-1-68412-910-2

Page Count: 32

Publisher: Silver Dolphin

Review Posted Online: Oct. 12, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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