Not quite off the charts but offbeat enough for a lot of fun.
A young chart enthusiast finds one that tests her abilities.
Uma loves charts. She tabulates her family’s favorite pizza toppings (using a pie chart, of course); she examines which couples hold hands most often in the park (dogs are the outliers, because they don’t have hands); and she carefully creates her own food pyramid (with chicken fingers at the base). As Uma says: “A good chart should make you see the world in a new way.” When her teacher announces that the students’ next assignment is to make charts of their homes, Uma is ecstatic. But then, she gets nervous. “How can I chart something so big, so important, so complicated?!” She is stumped. She narrows her research down to one essential question: “What makes my house…housey?” Her family members offer many possibilities. But their thoughts only overwhelm Uma even more. How can she possibly make a chart that shows feelings and smells and sounds? Uma, master chart maker, must find a way. Uma’s hand-drawn charts of all kinds are scattered throughout, and various pictorial guides are explained on the endpapers. Readers will delight in looking closely and learning more about Uma’s quirky hobby. Uma’s family of six share the same light tan skin tone while her class (and male teacher of color) is racially diverse. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 22.5% of actual size.)
Not quite off the charts but offbeat enough for a lot of fun. (Picture book. 4-8)Pub Date: May 18, 2021
ISBN: 978-0-593-18118-8
Page Count: 40
Publisher: Anne Schwartz/Random
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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