An engaging tale of a boy’s spiritual awakening.
A bilingual picture book focuses on the childhood of Salvadoran Archbishop Óscar Arnulfo Romero.
In easy-to-understand English and accurate translations of Spanish, this work revisits the events that solidified a Noble Peace Prize–nominated archbishop’s faith at a young age. As a boy growing up in Ciudad Barrios in El Salvador, Óscar works at the telegraph and post office. One day, Óscar asks his father how he can send a telegram to heaven. “Pray from your heart and you can send God all the messages you want,” his father says. Óscar also worships by playing his bamboo flute and reciting poetry. He wears his mother’s apron and walks through town pretending to be a priest, blessing children and pets alike. Though his father nudges him toward carpentry, Óscar can’t be dissuaded from his desire to be a man of the cloth. The book concludes with the realization of this dream when Óscar officiates at his first Mass in his hometown. (The author’s note discloses that, years later, Romero was assassinated during Mass in 1980.) Colato Laínez’s (¡Vámonos! Let’s Go!, 2016, etc.) story is straightforward and inspiring. He injects sufficient details into the heartwarming tale without slowing the narrative’s momentum. “When he wrote poems, his eyes would shine like stars. He read them in his best melodic voice, gesturing with his arms,” the author writes. The skillful illustrations by Hunt (Zhakanaka the Word, 2006) evoke Disney animation and add visual vibrancy to the story.
An engaging tale of a boy’s spiritual awakening.Pub Date: Aug. 14, 2017
ISBN: 978-0-9641203-2-7
Page Count: 31
Publisher: Luna's Press
Review Posted Online: Jan. 9, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)
Pub Date: Oct. 1, 1996
ISBN: 0-670-86159-6
Page Count: 40
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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