This story (and sequels) will undoubtedly enthrall readers seeking a torrid, tortured romance in a trendy setting; still, a...
In a historical fantasy inspired by feudal Japan, the daughter of aristocrats finds a place among sort-of-ninjas akin to Robin Hood’s band.
Hattori Mariko, barely 17, is resentful but resigned to an imperial marriage. When her caravan is waylaid, she seizes the chance to become something else. Disguised as a boy, she infiltrates the notorious Black Clan to investigate why they undertook her murder; but she is not prepared for the secrets she uncovers…especially about herself. Ahdieh’s follow-up to her superlative two-part Arabian Nights retelling, The Wrath and the Dawn (2015) and The Rows and the Dagger (2016), is equally rich in legendary glamour and again features convoluted political intrigue and star-crossed romance between a clever heroine and brooding hero. Unfortunately, the author’s extensive research results less in a sensuous, subtly constructed background than in obtrusive dumps of vocabulary and exposition. Truncated paragraphs and sentence fragments are overused to simulate dramatic tension. Mariko constantly complains of sexist oppression, but the story shows her held back mostly by her own vacillation. She is, however, amazingly ingenious, inventing an entire arsenal of ninja-style weaponry in a matter of weeks. The hints of magic are frustratingly arbitrary and vague, and the motives of the villain(s?) utterly opaque right up to the cliffhanger ending.
This story (and sequels) will undoubtedly enthrall readers seeking a torrid, tortured romance in a trendy setting; still, a disappointment from an author capable of so much more. (Fantasy. 12-adult)Pub Date: May 16, 2017
ISBN: 978-0-399-17163-5
Page Count: 416
Publisher: Putnam
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
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