![[NON]DISCLOSURE](https://d1fd687oe6a92y.cloudfront.net/img/user-media/titles/title/cover/2378e6800fad4e11942778ec6c545e12/f3605229703841369e5eed3a79acd930.jpg.300x0_q85_autocrop.jpg)
Underdeveloped characters dampen this well-intentioned, thoughtful tale.
A woman grapples with the long aftermath of having been sexually abused by her childhood priest.
Growing up a Catholic schoolgirl in 1970s Ontario, the nameless protagonist of Bondy’s debut novel does just about everything that's expected of her, from joining the choir to helping out the priest at the rectory with various tasks. The narrator knows she’s no standout, and she likes it that way: “I’d always been quiet…I wore quiet like a woolen shawl, protective and comforting.” But it is perhaps this very lack of remarkableness that makes her a target for the pedophile priest—”Father Feeler”—at her parish. Years later, after she's found her calling by opening up her home as a hospice for gay men dying of AIDS—who were mistreated, or failed to be treated, at traditional hospitals and banned from seeing their partners or friends—other victims of the priest begin to come forward. As the narrator weighs whether or not to join them in telling her story, she learns the insidious power that secrets have to fracture families and communities—as well as how healing might be possible. In the novel’s afterword, Bondy reveals the novel’s inspiration as a real-life case out of Chatham, Ontario, and her desire to explore the lesser-known stories of female victims of church abuse. The necessity for home hospice networks for AIDS patients in the 1980s was also, sadly, very real. Bondy’s decision to juxtapose the two scenarios gives the novel much of its power. But the nameless protagonist—who sometimes shifts into the plural first person—seems designed to be a kind of everywoman for victims and so never develops a vivid personhood of her own, undoing some of Bondy’s intentions to move and outrage the reader through the power of fiction.
Underdeveloped characters dampen this well-intentioned, thoughtful tale.Pub Date: Oct. 17, 2024
ISBN: 9781772603927
Page Count: 184
Publisher: Second Story Press
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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