A brightly written tale of how Hollywood simmered while Atlanta, or at least David Selznick’s simulation of it, burned....
The closing days of 1938 bring a second case to failed actress–turned-shopgirl–turned–Hollywood social secretary Lillian Frost.
Edith Head, just appointed head of Paramount’s costume design department, must have spared no superlative in telling Marlene Dietrich about Lillian’s earlier success (Design for Dying, 2016), because now Dietrich wants Lillian to find Jens Lohse, the pianist/composer who frequently accompanied the star, recently labeled box-office poison, before he disappeared, first from his rooming house, then from the face of the Earth. Lillian, not unduly impressed by her own sleuthing skills, nonetheless makes the rounds among Hollywood’s expatriate community and mainly finds (aha!) that they’re sharply divided about Adolf Hitler—so sharply that Rosa, the disgruntled German maid who disapproves of her employer Judge Edgar Lauer’s highly critical remarks about the Führer, has blabbed enough to the cops to land the judge and his wife, along with comedians George Burns and Jack Benny, in hot water on smuggling charges. With all Tinseltown abuzz over this real-life scandal, Lillian’s discovery of Jens’ corpse rates little more than a footnote. Yet the more Lillian digs into the dead pianist’s connections in the Hollywood community, the more convinced she becomes that Jens was hooked into some political skulduggery with serious implications for the war looming just over the horizon.
A brightly written tale of how Hollywood simmered while Atlanta, or at least David Selznick’s simulation of it, burned. Patrick not only provides walk-ons for Billy Wilder, Charles Brackett, Hedy Lamarr, Greta Garbo, Errol Flynn, Dorothy Parker, and Leni Riefenstahl, but actually furnishes something for most of them to do.Pub Date: April 11, 2017
ISBN: 978-0-7653-8186-6
Page Count: 336
Publisher: Forge
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous...
A struggling student’s English assignment turns into a mission to solve a 30-year-old murder.
Joe Talbert has had very few breaks in his 21 years. The son of a single and very alcoholic mother, he’s worked hard to save enough money to leave his home in Austin, Minnesota, for the University of Minnesota. Although he has to leave his autistic younger brother, Jeremy Naylor, to the dubious care of their mother, Joe is determined to beat the odds and get his degree. For an assignment in his English class, he decides to interview Carl Iverson, a man convicted of raping and killing a 14-year-old girl. Carl, who maintains his innocence, is dying of cancer and has been released to a nursing home to end his life in lonely but unrepentant pain. The more Joe learns about Carl—a Vietnam vet with two Purple Hearts and a Silver Cross—the more the young man questions the conviction. Joe’s plan to write a short biography and earn an easy A turns into something more. Even after his mother is arrested for drunk driving and guilt-trips Joe into ransacking his college fund to bail her out, he soldiers on with the project, though her irresponsibility forces him to take Jeremy into his care. But it’s his younger brother who cracks the code of the long-dead murder victim’s secret diary and an attractive neighbor, Lila Nash, who has her own agenda for helping Joe solve the mystery, whatever the risk.
Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous than championing a bitter old man convicted of a horrific crime.Pub Date: Oct. 14, 2014
ISBN: 978-1-61614-998-7
Page Count: 300
Publisher: Seventh Street Books
Review Posted Online: Oct. 8, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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