A brisk tale of an eventful life.
Portrait of a swashbuckler.
Negley Farson (1890-1960) was a daring foreign correspondent, ardent fisherman, and bestselling author of novels, adventure stories, and memoirs, notably a paean to fishing. “If any of Farson’s books can be said to contain incandescent prose,” write journalists Bowman and Santos, “Going Fishing is the one.” While Farson’s professional life flourished, his personal life was volatile: He was a womanizer, drank to oblivion, and was beset by self-hatred—qualities, along with his devotion to writing, that invite comparison with his more famous compatriot, Ernest Hemingway. Despite leg injuries that required repeated surgeries, bouts of malaria, alcoholism, and marital woes, Farson “lived each day as if it were a door that needed kicking in.” “Beneath the tilted brim of his fedora,” the authors write admiringly, “he squinted at life through a lazy whirl of cigarette smoke,” charming men, seducing women, “using his job as a globe-roving reporter to carry out his boyhood wish to travel the world and write.” Although Farson “managed to hide the deepest parts of himself,” the authors draw on his memoirs, letters, and reportage to create a lively chronicle of his peripatetic adventures, which involved working in Russia for a shady arms merchant in 1915; becoming a pilot with the Royal Flying Corps; quitting his job as a Mack truck salesman to sail across Europe, with his wife, in 1925; traveling by mule through Spain; reporting from Turkey, London, and Rome; covering the 1928 Olympics in Amsterdam; whale hunting off the Shetlands; interviewing Gandhi (and witnessing his arrest) in 1930; meeting Hitler and Roosevelt. Across the course of his many adventures, he tried several times to stop drinking. After treatment at a sanatorium in Germany, he stayed on the wagon through most of a trip through Africa in 1938, but his resolve didn’t last. Several more stays in asylums preceded his “total surrender to booze” before his death.
A brisk tale of an eventful life.Pub Date: Aug. 31, 2021
ISBN: 978-0-8139-4667-2
Page Count: 256
Publisher: Univ. of Virginia
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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