As palliative for his beloved Abuela's worsening dementia, memoirist Ogle offers her a book of childhood recollections.
Cast in episodic rushes of free verse and paralleling events chronicled in Free Lunch (2019) and Punching Bag (2021), the poems take the author from age 4 until college in a mix of love notes to his devoted, hardworking, Mexican grandmother; gnawing memories of fights and racial and homophobic taunts at school as he gradually becomes aware of his sexuality; and bitter clashes with both his mother, described as a harsh, self-centered deadbeat with seemingly not one ounce of love to give or any other redeeming feature, and the distant White father who threw him out the instant he came out. Though overall the poems are less about the author’s grandmother than about his own angst and issues (with searing blasts of enmity reserved for his birthparents), a picture of a loving intergenerational relationship emerges, offering moments of shared times and supportive exchanges amid the raw tallies of beat downs at home, sudden moves to escape creditors, and screaming quarrels. “My memories of a wonderful woman are written in words and verses and fragments in this book,” he writes in a foreword, “unable to be unwritten. And if it is forgotten, it can always be read again.”
A visceral window into a survivor’s childhood and a testament to the enduring influence of unconditional love.
(Verse memoir. 13-18)