For all its incidental charms, one of Price’s lesser novels, scattered and indecisive.
Death hovers over an anxious homecoming in the venerable southern writer’s 14th novel.
Mabry Kincaid is flying back home from Europe to New York on September 11, 2001, when his plane is diverted to Nova Scotia. It will be days before the 53-year-old art conservator finds out whether his loft, just blocks from the Twin Towers, is still intact. On impulse Mabry returns to his family home in North Carolina, where his father, a retired Episcopalian priest, is in bad shape. Price (Noble Norfleet, 2002, etc.) lures the reader with a number of maybes rather than a plot. Tasker Kincaid may be at death’s door; son Mabry may be diagnosed soon with multiple sclerosis; the painting he collected in Paris for a WTC client (now presumed dead) may conceal a priceless van Gogh sketch. Only one of these matters gets resolved. Tasker at least is in good hands, tended by Audrey and her teenaged son, Marcus, black folks long linked to the Kincaids. But who will tend to Mabry, who’s experiencing temporary blindness and numbness? His wife died back in April, and he’s estranged from daughter Charlotte. That’s Mabry’s fault; he cheated on his wife so often she threw him out when Charlotte was 12. But his faults don’t keep self-pity from welling up, especially after Tasker admits that his greatest love was for Mabry’s brother, Gabriel, killed years before in a hunting accident. Very much in the Price mold, this is a tale of family ties, broken but partially restored, of confessions and reconciliations. It’s not only Mabry who couldn’t keep his pants zipped: Tasker confesses to once taking advantage of three female parishioners; young Marcus confesses to impregnating his cousin at age 15. Yet the churning emotions lack a strong narrative framework, and Mabry’s hand-wringing over his possible MS symptoms becomes tedious, as does the warmed-over angst following 9/11, including a scene close to Ground Zero.
For all its incidental charms, one of Price’s lesser novels, scattered and indecisive.Pub Date: June 1, 2005
ISBN: 0-7432-5400-7
Page Count: 288
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2005
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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